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Most In-depth Study ( Must Have )

Monday, March 29, 2010

Rook Endgames - Lesson 10 - Rook versus Split Pawns

Already previous lessons of this series will have provided you with some of the basics regarding situations of a lone rook against pawns. Generally a rook does well to try and stop an enemy passed pawn from behind, but if the enemy king is in the vicinity, the rook can only realistically expect to win if its own king has an input. Now we will examine the different situations that arises in Rook versus Split Pawns Endgame.

Rook versus Split Pawns

TIP: The rook should be kept flexible and active at all times. 
Here is another case of how the rook can work wonders by flitting around.
 

Lets take the previous example into another level. See below.

Rook_Endgame/rook vs split pawns 3.pgn

NOTE: The closer together the split pawns are, the easier it is for the king to control them.
Frankly, the above note is obvious whereas the positions are quite obscure. Nevertheless, the clear difference between the two is that in the latter the pawns are one file nearer to each other. The quicker accessibility for the black king to either pawn completely changes the assessment.
That's it for now. In the next lesson we will examine Rook vs Two Connected Pawns situation. So Stay Tuned !.

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Sunday, March 28, 2010

Rook Endgames - Lesson 9 - The Skewer Trick

The Skewer Trick

TIP: Always watch out for checks.

This doesn't mean always play a check if you see one, but rather that less can go wrong and more right if you are always on the ball regarding checks that you can make in a given position or your opponent can make after your intended move. See below.


Lets continue from where we left the above example.
NOTE: Life isn't always fair!

Okay, I'm sure you didn't need me to tell you that and probably more relevant is my advice that White could have avoided this trap with 1. Kg2!. See below.


Interesting, isn't it. We will see you next time with another one. In subsequent lessons we will discuss Rook vs. Pawn Endgames in detail. Stay tuned!

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Rook Endgames - Lesson 8 - Cutting off the King

In this lesson you will find an important situation that will recur time in again in numerous endgame. Not wasting any word lets jump into it.

Cutting off the King


It should be said that this sort of race is not untypical in rook endings. Kings do end up on opposite sides of the board. One reason for this is that a king may need to travel a distance to eliminate enemy pawns in order to create a 'passer' of its own.
Another possibility is that a king makes a decision to journey up the board in order to help promote a passed pawn. That is often necessary with an enemy rook behind the pawn, and a typical outcome is that the king forces the enemy rook to sacrifice itself for the pawn. This gain in material, however, leaves the king offside, and then the long trip back starts. The big question is whether the king gets back in time to halt the opponent's pawn without having to give up its own rook for it. Clearly in this example it proved a bridge too far.
However, sometimes opportunities are missed and on move one the useful 'cut off' technique could have been employed in the form of 1 Rg5!!. See below.

 
That it ...Another one next time. Stay Tuned!

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Rook Endgames - Lesson 7 - Pushing Passed Pawns

Hello & welcome everyone to series of lessons on Rook Endgames. So far we have covered some basic endgame strategies in previous articles. Interested readers who have just joined us can scroll down to the bottom of this post to explore previous articles on this series under the 'Related Posts' section. Well today we are going to learn another basic endgame strategy concerning passed pawns. So sit tight & enjoy!

Pushing Passed Pawns
So far we have seen passed pawns both succeeding and failing to make a nuisance of themselves. In order to compare passed pawns, take a look at the following extreme case.


NOTE: A famous adage runs 'Passed pawns are meant to be pushed'.
Clearly the closer pawns are to promotion, the more dangerous and similarly the more valuable they become. As it would no doubt force your opponent to take note, it does follow that you should get on with pushing passed pawns. However...
WARNING: Each plan should be taken on its own merits. Forgoing a sensible king centralization, for example, in favour of pushing a doomed passed pawn would not be bright.

That's it for now...Stay tuned coz there is much more to come.

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7th World Champion Vasily Smyslov dies at 89

He was "one of the great chess geniuses of the twentieth century" (Boris Spassky). Vasily Vasiliyevich Smyslov was born on March 24, 1921, auditioned as a baritone singer at the Bolshoi Theatre before he took up chess as a full-time career. In 1957 he beat Botvinnik in the world championship match and held the title for a year. Smyslov died in the night to Saturday March 27, 2010. In memoriam.

Vasily Smyslov, 1921 – 2010


We regret to announce the passing of Vasily Smyslov, who died on 27th March 2010 in Moscow, just three days after his 89th birthday. This information was passed to us by Boris Spassky, who had just returned from Moscow. "Vasily was one of the great chess geniuses of the twentieth century," Spassky said. "For me there were four titans of chess in the Soviet Union after the Second World War: Botvinnik, Smyslov, Keres and Bronstein"

Smyslov, Bronstein, Keres and Botvinnik in 1954
Vasily Vasiliyevich Smyslov was born on March 24, 1921. He learnt chess at the age of six, and after studying books in his father's library, became really serious about the game at the age of 13, when two world champions, Capablanca and Lasker, visited his native city of Moscow. At the age of 16 he won the All-Union boys' championship, and at 17 he shared first in the Moscow City Championship. At 19 he came third in the unrestricted USSR Championship. There followed a string of successes that caught the eye of world champion Alexander Alekhine, and he became internationally known when he beat Samuel Reshevsky twice in the famous USSR vs USA radio match in 1945.
In the world championship tournament staged in 1948 to determine Aljechin's successor Smyslov came second after Botvinnik, who got the title, and ahead of Keres, Reshevsky and Euwe. In the Zurich Candidates Tournament of 1953 Smyslov scored +9 =10 –1, two points more than the nearest rival. He drew the world championship match against Botvinnik in 1954, and Botvinnik retained the title. Smyslov won the next Candidates, 1956 in Amsterdam, again with a clear margin, and in 1957 he beat Botvinnik in the world championship match by +6 =13 –3, but lost it a year later to the same player +5 =11 –7.

The former world champion, in Monaco 1994
After his one-year reign as world champion Smyslov played in the 1959, 1964 and 1982 Candidates tournaments. But he never again became a challenger. One should note that at his final Candidates event in 1982 was 61, the oldest player ever to participate in such an event. Incidentally he drew his quarter-final match against Robert Hübner 7:7 and won the tiebreak, which was a spin of the roulette wheel in the Casino where they were playing. He went through to the final, the match that determined who would challenge Anatoly Karpov, but lost 8.5:4.5 to Garry Kasparov.

Vasily Smyslov with his former rival Garry Kasparov in 2004
Smyslov was always known for his positional style and his extraordinary endgame abilities. He was also a great combinational player, and in his games we find many spectacular tactical shots. In the opening he made important contributions to the English, Grünfeld, Ruy Lopez and Sicilian.

The Smyslovs

Smyslov with his wife at the 2004 Russian Superfinals
In his early years Smyslov studied at the Moscow Institute of Aviation. He also became an accomplished baritone singer. In fact he only decided to take up chess full-time when he failed an audition for the Bolshoi Theatre in 1950. He gave many recitals during his chess career, often accompanied by fellow world championship candidate and pianist Mark Taimanov.

The baritone singer Vasily Smyslov. At the age of 75 he produced his first CD of Russian romances. And in Mai 2001, exactly 50 years after his audition in the Bolschoi Theater, he sang there – in celebration of Anatoli Karpov's 50th birthday.
Smyslov played no competitive games after 2001, his failing eyesight being one of the prime reasons. He ended his chess career at the age of 80 and with an Elo rating of 2500.

A friendly game with his cat Belka at his dacha
Photos by Dagobert Kohlmeyer

World Champions 1886–to present

 1: Wilhelm Steinitz, 1886–1894, Austria/USA
 2: Emanuel Lasker, 1894–1921, Germany
 3: José Raúl Capablanca, 1921–1927, Cuba
 4: Alexander Alekhine, 1927–1935, Russia/France
 5: Max Euwe, 1935-1937, Netherlands
 4: Alexander Alekhine, 1937–1946, France
 6: Mikhail Botvinnik, 1948–1957, Soviet Union (Russia)
 7: Vasily Smyslov, 1957–1958, Soviet Union (Russia)
 6: Mikhail Botvinnik, 1958–1960, Soviet Union (Russia)
 8 : Mikhail Tal, 1960–1961, Soviet Union (Latvia)
 6: Mikhail Botvinnik, 1961–1963, Soviet Union (Russia)
 9 : Tigran Petrosian, 1963–1969, Soviet Union (Armenia)

10: Boris Spassky, 1969–1972, Soviet Union (Russia)
11: Robert J Fischer, 1972–1975, United States
12: Anatoly Karpov, 1975–1985, Soviet Union (Russia)
13: Garry Kasparov, 1985–2000, Soviet Union (Russia)
14: Vladimir Kramnik, 2000–2008, Russia (PCA/Braingames)
15: Viswanathan Anand, 2007 – present.
FIDE
Anatoly Karpov, 1993–1999, Russia
Alexander Khalifman, 1999–2000, Russia
Viswanathan Anand, 2000–2002, India
Ruslan Ponomariov, 2002–2004, Ukraine
Rustam Kasimdzhanov, 2004–2005, Uzbekistan
Veselin Topalov, 2005–2006, Bulgaria

Stations of a World Chess Champion

A selection from the photographs provided by Edward Winter in Chess Notes


Source: Chess in Russia by P. Romanovsky, London, 1946

Source: Die Schacholympiade in Helsinki 1952 by H. Müller, Vienna, 1953

Source: Schach-Elite im Kampf, Zurich, 1954


Source: Chess Review, front cover, April 1958


Source: Kandidatenturnier für Schachweltmeisterschaft by S. Gligoric and V. Ragozin, Belgrade, 1960

Source: XIV. Schach-Olympiade Leipzig, 1960

Source: Chess Review, November 1967


Source: Programme, Russia v Rest of the World tournament, 2002
Article Source: Chessbase



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Friday, March 26, 2010

Rook Endgames -Lesson 6 - Shouldering off the Enemy King

Shouldering off the Enemy King
This is a very important concept in any endgame and essentially refers to the simple idea of maximizing your own king whilst if possible simultaneously reducing the scope of the enemy king. Take the following very simple case.


I hope that it is clear to you now. These are very basic endgame strategies.Slowly & steadily we will move to advanced lessons. In the next lesson we will concentrate on passed pawns.
That's it for now.See you next time.Stay tuned!

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Rook Endgames - Checking from the Side - Lesson 5

Checking from the Side
Let's look at another important technique available to the rook.
You should recall that two moves into second example of the previous post 'Rook Endgames - Rook Behind Passed Pawns - Lesson 4' we reached the following position:

TIP: Whilst it is usually best to activate a rook from behind, occasionally consider sideways checks.
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Rook Endgames - Rook Behind Passed Pawns - Lesson 4

Rooks belong behind Passed Pawns
There, I'm even repeating it now so as to help you commit it to memory!
In the following example there is a very dangerous black pawn that is ready to promote. Having spent a lot of time with juniors I notice that they place a lot of comfort value in blocking passed pawns.

NOTE: The underlying theme is that rooks like to be active and they can do that best from behind passed pawns.

Lets move on to the next example.How to stop that pawn?


Now lets continue with the above example.
NOTE: A draw is better than a loss!

Bearing in mind this rather obvious remark, in fact White has numerous ways in which to avoid defeat.Explore it with the following example.


That's it for now.Stay tuned...there is much more to come!


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Rook Endgames - Limitations of a King - Lesson 3

Every King Should Know its Limitations.
Just as every man must know his limitations (well according to Clint Eastwood), the same must be true of kings. Actually, I guess it is the man (or woman) operating the king that matters.In all endgames it is advisable to get your king into the thick of the action rather than watching from the sidelines. However... Every King Should Know its Limitations but anyway take a look at the next example.

WARNING: The king is a great piece, but it is also a slow one.

Kings really are awesome pieces. Only the queen can control every square within touching distance of itself (as a king does), and thus when it appears on the scene it has a massive impact. The problem invariably is getting it on the scene.
TIP: Centralize your king.
This tip is universal advice to all endgames based on the premise that the king can access any part of the board in the quickest time when positioned here which is depicted in the following example.

TIP: Rooks belong behind passed pawns.
I offer this tip now but I can assure you that it will be a recurrent theme throughout these lessons.
Hope you enjoyed. See you next time. Stay tuned!
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