Loading
Drastically Improve Your Chess
Upgrade to a FileSonic Premium account and download at incredible speed!

This is default featured post 1 title

Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.

This is default featured post 2 title

Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.

This is default featured post 3 title

Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.

This is default featured post 4 title

Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.

This is default featured post 5 title

Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.

Most In-depth Study ( Must Have )

Thursday, July 17, 2008

Tips For Learning Chess Part 3 - How To Annotate Your Own Games?

While everyone prefers to learn from the mistakes of others, this is not very realistic when it comes to chess - Annotate Your Games!
A chessplayer’s strength is measured by his or her successes in tournaments. Sport has a single criterion - the result. Should we disagree with it, or bring in some other criteria, the very essence of sport is nullified. Comments such as this guy is more talented,but :
  • blundered in a time trouble
  • lost a won position
  • incredible error
  • accidentally, etc.
are for the fans (and media ). No “incredible” events occur. If something happened it was possible! It is necessary to try and understand the cause of what happened. You must analyze your own games in greater detail to identify the types of mistakes you made and to find out in which situations you need to improve your decision making process.
From childhood one must get used to analyzing and annotating every game played. Analysis of games, conceptualization of their content, explanation, assessments, motivations behind moves played, threats and what caused them create a powerful incentive for a chessplayer’s growth! Analysis is necessary for rapid chess games as well.
I consider that rapid chess gives even more information about the merits and drawbacks of a chess player. When there is more time to think, these drawbacks can be concealed by longer thinking, whereas in rapid chess and in blitz games all the pros and cons reveal themselves more vividly. A. S. Nikitin, Garry Kasparov’s coach, wrote that the future world champion even annotated his blitz games. Timing is of great help in identifying weaknesses of a chessplayer. It assists in understanding and explaining the chess player’s drawbacks and their causes, and is particularly demonstrative as it rates the time required to make this or that decision.
After each tournament it is necessary to report on all games played by a player in the Chessbase special Database.
Spend 10-15 minutes after each game writing brief notes, including thoughts, variations and assessments that were going through his mind during the play, and compare these with the results of subsequent calm analysis.
The five critical goals that you are trying to accomplish in your deep analyze are: Checking your Opening preparation. The opening part should end with a brief theoretical reference pointing out the best variations for continuing the struggle and with an “exemplary” game of this variation played by grandmasters.
Discovering the turning points and assessing your decisions making at those points. Particular attention should be drawn to the phase when the game passes from the opening to the middlegame, and it is worthwhile showing the extent to which the middlegame events correlate with opening structure logic.
Finding and classifying your own mistakes and other problems (Tactical, strategic, while attacking, defending etc, psychological problems etc); Develop your analyzing skills by uncovering new ideas and better moves, which could have happened if they were played.
The comments of each game should be finalized with an assessment of one’s own play and conclusions (reasons for win or loss, including non-chess factors; what to do in order to avoid these).
Showing your game to the coach for reviewing your analyzes.
Such work on the annotations should last for 4-5 hours. At a higher level, it is useful to annotate other players games, though it is more complicated due to a difficulty of understanding motives behind moves without observing the playing process directly.
Contributed by : A.Vaysman Honored coach of Ukraine
Subscribe to Chess Blog | The Pulse of Chess     If you liked the article kindly Digg it, Stumble it, Add to Technorati, bookmark it and please consider subscribing through  "Subscribe by Email"  and have articles & a  Everyman Chessbase eBook delivered right to your inbox! OR "Subscribe to Chess Blog Feed" in a Fead Reader of your choice OR Subscribe to "SMS Alerts" & Get Article Headlines & Updates delivered to your Mobile Phone for free.

Tips For Learning Chess Part 2 - Playing The Classics

It seems to me that a chess-player should first of all learn to play the classical openings, rather than openings such as the English opening, the Reti opening, Pirc-Ufimtsev Defense – the so-called “anti-openings”. These openings imply that the real combat begins only after the 15th move. You can also regularly provoke some interesting positions when playing these openings (the way M.Botvinnik and V.Smyslov did), but only on condition that you have had a very good practical experience and the knowledge of classical openings.
In some “anti-openings” you can move your pieces “to and fro” with no trouble. Those who like the process of playing chess as sport, rather than studying the theory of openings and the logics of the game, are really fond of playing “anti-openings”.
There is a rule in art: the professionalism of an actor is proved by means of classical, ever-lasting performances. If an actor cannot play a classical role, he is just an amateur. However, if an actor is able to perform classics, but unable to give the role some of his own individuality, the actor is no more than a good professional, but not a creative one.
Mostly the classics are difficult to play because the spectators have already seen them, so that you won’t get them interested by the text or the plot. What they want is to see the way a classical role is played. To arouse the audience’s applause (or win a game of chess) you should find significant nicities of the role, which is impossible if you lack talent.
Chess is an art as well, and so this rule can be applied to it. A chess-player should learn and play classical openings if he wants not only to achieve success as a sportsman, but also to become an artist. THERE IS NO OTHER WAY TO BREAK THROUGH. If you only stick to Ruy Lopez, Scotch Game, Reti Opening or Sicilian Defense, you might make certain progress and then wonder why you are not developing and improving your results. One should acquire a lot of technical skills, study a lot of typical positions to achieve success in classical chess. To master classical chess means to know how to play “right” chess. “Anti-openings” in turn cause a “to-and fro-game”.
A coach who teaches classical chess is supposed to know quite a lot about both classical openings and general culture. If a coach does not meet this requirement, his pupil is bound to study no more than 2 – 3 openings and neglect the theory of openings.
Playing an opening is in many ways like putting on a play. If an opening (or a performance) is badly organized, the actors’ playing won’t help. In that case, excellent moves are very rare and they seem as out of place as a tank at a horse show.
A young chess-player should learn to CREATE complicated positions instead of involving himself in the game where positions of this kind might be created.
It is very boring (especially for the young) to study classical openings, but that is valuable practice. And, as we know, practice makes perfect.
Today it is extremely hard to get even “+/= ” playing an opening, so if you have managed to turn the position to suit your tastes, the opening is considered successful.
Classical openings contain a lot of strategic and tactical approaches, they provide a chess-player with innumerable lines and situations. Nearly every move of classical openings is based on gaining the upper hand. “Anti-openings” are far less interesting. A lot of their moves are deprived of any ideas, because they are not aimed at winning a game. Ruy Lopez resembles in a way a classical waltz, and Reti Opening is very much like a twist, where the partners don’t depend on each other and dance for themselves.
Contributed by : A.Vaysman Honored coach of Ukraine
Subscribe to Chess Blog | The Pulse of Chess     If you liked the article kindly Digg it, Stumble it, Add to Technorati, bookmark it and please consider subscribing through  "Subscribe by Email"  and have articles & a  Everyman Chessbase eBook delivered right to your inbox! OR "Subscribe to Chess Blog Feed" in a Fead Reader of your choice OR Subscribe to "SMS Alerts" & Get Article Headlines & Updates delivered to your Mobile Phone for free.

Tips For learning Chess Part 1 - Talent & Hard Work

The Greatest World Champion Mikhail Botvinnik considered the success in chess as a combination of 4 factors.
* Special Chess Talent
* Good Physical conditions (Health).
* Strong Character
* High working skills
To achieve success in modern chess requires being a universal style chessplayer, playing all stages of a game confidently, and mastering typical positions in various openings.
Such a training program takes several years of strenuous work under the guidance of a qualified and thoughtful coach. For instance, in order to play the ending confidently, it is necessary for a junior player to remember the right way to play thousand typical endgame positions, requiring something like two years of the most arduous study.
First of all, a chessplayer must be able to work hard consistently. How many sparkling talents never made it to the top because of the absence of this skill?
I always remind my pupils: Talent has one advantage the right to work more than the others. A simple reasoning convinces you: Suppose a talented boy needs just ten minutes to master some chess material. A less talented player needs 20 minutes. If the talent will not spend these ten minutes and the other one will spend his 20 minutes, then who will be at an advantage?!
Only those children who are fanatically devoted to chess canbe expected to spend long hours at the chess board at home, reading chess books every day, and solving an enormous number of various tactic or dull endgame positions.
Garry Kasparov once wrote: I perceived all too early that you have to pay for everything in your life. A talented child has just a single thing to pay thats his childhood.
Nobody has ever found any other formula for that of success: TALENT + HARD WORK!
Contributed by : A.Vaysman Honored coach of Ukraine
Subscribe to Chess Blog | The Pulse of Chess     If you liked the article kindly Digg it, Stumble it, Add to Technorati, bookmark it and please consider subscribing through  "Subscribe by Email"  and have articles & a  Everyman Chessbase eBook delivered right to your inbox! OR "Subscribe to Chess Blog Feed" in a Fead Reader of your choice OR Subscribe to "SMS Alerts" & Get Article Headlines & Updates delivered to your Mobile Phone for free.

Tuesday, July 15, 2008

ABOUT US | CONTACT


About Attack The King

We are a bunch of professional chess players with the motto of helping numerous chess maniacs out there..We are well educated for the contents we provide so you don't have to worry about their authenticity. We are a group of Indian chess freaks & thanks to Viswanathan Anand who brought India & her peoples into the arena of international chess.We are here to discuss chess. So don't hesitate to contact us if you have any questions, suggestions, ideas, feedback or anything .


Social Media
We love to interact with interesting people. So, you can connect with us on the services listed below:

Subscribe

So, when you are here, why don't you subscribe to this blog using your favorite feed reader to keep up with the latest updates? Please click below:

Subscribe to the blog feed

OR get updates via email by clicking the link below:

Subscribe via Email


Lastly I sincerely hope you enjoyed your stay and will come back again and again for support, motivation and enjoyment ...

Sunday, July 13, 2008

Contact Us

Use the following form to contact us regarding advertising, guest post, link exchange,suggestions,feedback,compliments etc. We will get back to you as early as possible. Thank You.

Saturday, July 12, 2008

Useful Links for Chess Enthusiates


 Here are some useful links you might want to have a look at :

Sunday, July 6, 2008

Chess Blog | The Pulse of Chess

First part of your post goes here!
Rest of Entry goes here!





Subscribe to Chess Blog | The Pulse of Chess     If you liked the article kindly Digg it, Stumble it, Add to Technorati, bookmark it and please consider subscribing through  "Subscribe by Email"  and have articles & a  Everyman Chessbase eBook delivered right to your inbox! OR "Subscribe to Chess Blog Feed" in a Fead Reader of your choice OR Subscribe to "SMS Alerts" & Get Article Headlines & Updates delivered to your Mobile Phone for free.

Tuesday, July 1, 2008








Tuesday, April 1, 2008

Disclaimer

Disclaimer and Copyright Notice

We created this website primarily for beginner and amateur chess players to share our ideas about different aspects of the game of chess, hoping that the articles and examples will help the readers to improve their game.
But all this has been done in good faith without any claim to be correct in every way, in spite of our effort to eliminate mistakes. By using this site, you accept that we are not liable directly or indirectly for any loss you may suffer from the use of the information provided by us.
We are not making any representation or giving any expressed or implied warranty in respect of the content of this site. You may verify these yourself before acting on such information. If you do notice some errors, please feel free to point it out to us (Contact Us) and we will check it out to take corrective action as necessary.
Except for information obtained from sources in public domain and those for which we have indicated the source where applicable (the copyright of which lies with the source), the copyright of all other material in this site belongs to and remains exclusively with Attack The King Team. Your free access to this site does not imply or give any right to distribute or reproduce the contents in part or whole without prior approval from Attack The King Team.
At our sole discretion, we may choose to overlook such infringement of our copyright if the reproduced or distributed copy of the content specifically indicates this site as the source and provides a link back to the content so used. We will take stringent legal action if anyone is found to use the content of this site in violation of these conditions.
This site doesn't host any software,books or videos. We just hold the links & videos posted by contributors around the world. If you found any copyright violation in any post Contact Us  for prompt post/link(s) removal.

Don't forget to subscribe to the thread for tracking replies